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Binding system5

System of binding for racing skis. Type Ð˜Ð˜N NIS. System of binding for racing skis. Type Ð˜Ð˜N NIS.

Centesimal banknotes

Centesimal banknotes of America and Israel

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This page is attributed to Åžeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the â€œSix Pens,â€ which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This page is attributed to Åžeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the â€œSix Pens,â€ which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.5a

This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (SÅ«rat al-nisÄÊ¾), 6 (SÅ«rat al-anÊ¿Äm), 7 (SÅ«rat al-aÊ¿rÄf), and 10 (SÅ«rat YÅ«nus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hÄ' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124. This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (SÅ«rat al-nisÄÊ¾), 6 (SÅ«rat al-anÊ¿Äm), 7 (SÅ«rat al-aÊ¿rÄf), and 10 (SÅ«rat YÅ«nus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hÄ' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124

Fï¿½nis castle

Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers. Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Binding system4

System of binding for racing skis. Type gray NIS NNN. System of binding for racing skis. Type gray NIS NNN.

Fï¿½nis castle

Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers. Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE).

Coin treasure

Small israeli new shekel cents. Small israeli new shekel cents

MM00A-1608 CAR NIS PAN D3200

This is a picture I took during the making of STREET MAME STREET MAME is a series of short films I'm doing with my friend Amerigo Mancini. "MAME" is the combination of MArsel and AMErigo. In this playlist I'll upload the people, places and moments I'll see during the making of these videos. You can watch the series on Youtube: STREET MAME Can I use this photo? Read here for more informations. This is a picture I took during the making of STREET MAME STREET MAME is a series of short films I'm doing with my friend Amerigo Mancini. "MAME" is the combination of MArsel and AMErigo. In this playlist I'll upload the people, places and moments I'll see during the making of these videos. You can watch the series on Youtube: STREET MAME Can I use this photo? Read here for more informations.

Happy beautiful girl reading a book on sunny spring day on a bench in nature

Young teen Girl reading a book on a sunny spring day in park sitting on bench. Selective focus. Close up. Relaxing and Education concept. Young teen Girl reading a book on a sunny spring day in park sitting on bench. Selective focus. Close up. Relaxing and Education concept.

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