Treasure Free Stock Images

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Treasure chest with jewelry

Wooden chest with pearls and red rose , isolated on white. Wooden chest with pearls and red rose , isolated on white

Old treasure map

Example of the boot screen to play treasure hunt

Small box with valuables

Small box with valuables and treasure

San Francisco and Treasure Island

San Francisco and Treasure Island Aerial View

Photographer focusing his camera

Shot of a photographer focusing his camera on San Francisco form Treasure Island.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Pirate from the Treasure Island

Nature's Treasure

Young birds wait quietly in their nest. Young birds wait quietly in their nest

Bad magician's apprentice

3d rendering of the little magician, who steals a treasure as illustration. 3d rendering of the little magician, who steals a treasure as illustration

Golden treasure egg with sunflower over white

Lucky golden egg with sunflower isolated on white background with clipping path included. Lucky golden egg with sunflower isolated on white background with clipping path included.

Old Treasure map

Golden jewelry on red background

Golden jewelry in treasure chest put on red background. Golden jewelry in treasure chest put on red background

Sunrise in downtown San Francisco

Sun rises in downtown San Francisco. This photograph was taken from Treasure Island. Sun rises in downtown San Francisco. This photograph was taken from Treasure Island.

Treasure box

Hand building towers from coins

Coin treasure wealth savings finance money. Coin treasure wealth savings finance money

Treasure. Wooden barrel with gold coins. 3d vector

Treasure Island

Treasure hunter getting ready.

An image of a senior with a metal detector getting ready to search a field for historic artifacts. An image of a senior with a metal detector getting ready to search a field for historic artifacts.

Antique treasure map

Old treasure map

Underwater scene of a sunken ship and treasure

Treasure in ceramic pot.

Old ceramic pot with metal money isolated on a white background. Old ceramic pot with metal money isolated on a white background.

Treasure chest with jewelry

Wooden chest with pearls and red rose , isolated on white. Wooden chest with pearls and red rose , isolated on white

Old treasure map

Treasure chest with jewelry

Wooden chest with pearls and gold , isolated on white. Wooden chest with pearls and gold , isolated on white

Chest - jewellery, peacock feather

Overflowing Treasure Chest - jewelery, peacock feather in white. Overflowing Treasure Chest - jewelery, peacock feather in white.

Fantasy cave with a waterfall, tree, treasure chest

Photographer focusing his camera

Shot of a photographer focusing his camera on San Francisco form Treasure Island.

Open a blank box for treasures

оpen an empty treasure chest for isolated on white background. оpen an empty treasure chest for isolated on white background

Sand sculpture treasure

Sculptures of sand for children in Kharkiv at the square of the city's largest and Europe - Liberty Square. Sculptures of sand for children in Kharkiv at the square of the city's largest and Europe - Liberty Square

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Bay Bridge, San Francisco

Bay Bridge with Treasure Island from seaside in San Francisco, USA. Bay Bridge with Treasure Island from seaside in San Francisco, USA

Huangshan welcoming pine and Heavenly Capital Peak

Welcoming pine stand in the Huangshan Scenic Area Yuping Leo stone floor next to an elevation of 1670 m Department. Height 9.91 m, 2.05 m Bust, canopy height of 2.54 meters. Extended up to 7.6 meters in central trunk two collateral development to the front, looking like a hospitable host, command arms development, warmly welcome guests all over the world visit to Huangshan. Visitors to this, a sudden doubling in travel, have photo taken, cited that fortunate. Welcoming pine as the Chinese people, a symbol of friendship with the people of the world has long been known in the world. China's leaders in the Great Hall of the huge welcoming pine painting before, met with many friendly envoy, with the peoples of the world and forged a profound friendship. Welcoming pine as a national treasure, is well deserved. Welcoming pine stand in the Huangshan Scenic Area Yuping Leo stone floor next to an elevation of 1670 m Department. Height 9.91 m, 2.05 m Bust, canopy height of 2.54 meters. Extended up to 7.6 meters in central trunk two collateral development to the front, looking like a hospitable host, command arms development, warmly welcome guests all over the world visit to Huangshan. Visitors to this, a sudden doubling in travel, have photo taken, cited that fortunate. Welcoming pine as the Chinese people, a symbol of friendship with the people of the world has long been known in the world. China's leaders in the Great Hall of the huge welcoming pine painting before, met with many friendly envoy, with the peoples of the world and forged a profound friendship. Welcoming pine as a national treasure, is well deserved.

Toy chest and chocolate coins

Toy plastic treasure cest and chocolate coins. Toy plastic treasure cest and chocolate coins

Blue treasre chest

Clear blue treasure chest with gemstones inside and outside. Clear blue treasure chest with gemstones inside and outside

Treasure chest with gold coins isolated

Treasure Island Dog

Golden gate bridge.San Francisco

Golden gate bridge at sunset.view from treasure island. Golden gate bridge at sunset.view from treasure island

Four treasure of the study

This is chinese traditional four treasures of the study child learning writing and traditional culture by using this in school. This is chinese traditional four treasures of the study child learning writing and traditional culture by using this in school

Treasure flower on a white background

Three isolated gtreasure flower on a white background

Treasure chest with jewelry

Wooden chest with pearls and perfumes , isolated on white. Wooden chest with pearls and perfumes , isolated on white

Treasure hunter

On a cold sunny afternoon, a lone man intently searches the beach for lost treasures left behind in the sand. On a cold sunny afternoon, a lone man intently searches the beach for lost treasures left behind in the sand.

Chinese Treasure Chest

Chinese traditional golden vessel full of international currency. Chinese traditional golden vessel full of international currency

Treasure

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