Plaques Free Stock Images

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Decorative Door Bell Plaques

Decorative floral retro door bell plaques. Decorative floral retro door bell plaques

Metallic Rollovers Buttons

Assorted metallic internet rollover buttons for websites or other. Assorted metallic internet rollover buttons for websites or other

Two sepia headers with marble and glass effect

Internet headers or banners in sepia tone with different color plaques for writings and logos to place in. Internet headers or banners in sepia tone with different color plaques for writings and logos to place in.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussÃ© and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussÃ© and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Brookwood War Memorial and Military Cemetery

Brookwood War Memorial and Military Cemetery in England

Heart medals with a stethoscope

Heart medals with a stethoscope, isolated illustrations

Volumetric Composition # 9, with Metallic Geometri

Metallic Volumetric Composition, with Cone, Sphere, Plaques & Columns, in frontal view. Metallic Volumetric Composition, with Cone, Sphere, Plaques & Columns, in frontal view.

Brass plate arrows

Photorealistic brass plates illustrations isolated on white background, with blank area you can write your own text into. Photorealistic brass plates illustrations isolated on white background, with blank area you can write your own text into.

Two separate frames

Two separate frames for photos

Wood Plaques

Two woodgrain plaques with wings. Separate elements. Two woodgrain plaques with wings. Separate elements.

Avenue of the Stars.Hong Kong.

Thanks to the efforts of Hong Kongâ€™s movie industry over the past century, many in Asia and farther afield are familiar with the cityâ€™s sights before theyâ€™ve even set foot here. The Avenue of Stars pays tribute to the names that helped make Hong Kong the â€˜Hollywood of the Eastâ€™, while giving visitors a panoramic view of the cityâ€™s most iconic sight: its glorious skyline, dramatically set against The Peak. With commemorative plaques, celebrity handprints, descriptive milestones, movie memorabilia, a life-size statue of kung fu action hero Bruce Lee and a bronze rendering of popular cartoon character McDull, the Avenue of Stars fittingly sets the glamor of Hong Kongâ€™s film industry against the captivating dazzle of Victoria Harbor. Thanks to the efforts of Hong Kongâ€™s movie industry over the past century, many in Asia and farther afield are familiar with the cityâ€™s sights before theyâ€™ve even set foot here. The Avenue of Stars pays tribute to the names that helped make Hong Kong the â€˜Hollywood of the Eastâ€™, while giving visitors a panoramic view of the cityâ€™s most iconic sight: its glorious skyline, dramatically set against The Peak. With commemorative plaques, celebrity handprints, descriptive milestones, movie memorabilia, a life-size statue of kung fu action hero Bruce Lee and a bronze rendering of popular cartoon character McDull, the Avenue of Stars fittingly sets the glamor of Hong Kongâ€™s film industry against the captivating dazzle of Victoria Harbor.

Sale card kids

Sale card kids template color

Graphic element - Header # 2

Graphics elements to use as plaques, internet headers, banners or other. 3 different color inside plaques . Marble and parchment bitmap effects. Graphics elements to use as plaques, internet headers, banners or other. 3 different color inside plaques . Marble and parchment bitmap effects.

Decorative Rollover Element

Decorative rollover plaques or buttons. Decorative rollover plaques or buttons

Coat of arms, heraldry of the old headstone plaque

Coat of arms, heraldry of the old headstone plaques, leaves

Gzhel egg in a spoon

Gzhel painted objects: easter egg in spoon near plaques isolated over black background. Gzhel painted objects: easter egg in spoon near plaques isolated over black background

Volumetric Composition # 8, with Metallic Geometri

Volumetric Metallic Composition (2), with Cone, Sphere, Plaques & Columns, in axonometric (isometric) view. Volumetric Metallic Composition (2), with Cone, Sphere, Plaques & Columns, in axonometric (isometric) view.

Plaques 2

plaques for web sites or other usages. plaques for web sites or other usages

Rough buttons or Plaques

Buttons or plaques with rough patterns. Buttons or plaques with rough patterns

Brass plate alphabet

Letter-shaped brass plates. Isolated illustrations on white background. Letter-shaped brass plates. Isolated illustrations on white background.

Scroll shields

Illustration of four scrolls with shields/plaques. Illustration of four scrolls with shields/plaques

Medieval Building

Ornate Medieval Building in England

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussÃ© and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussÃ© and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Graphic Elements

Graphic elements : plaques, buttons, rollovers

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