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Five poems (quintet), Walters Art Museum Ms. W.607, fol. 2a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrÄr. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrÄr. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Manuscript Book on Logic, Walters Art Museum Ms. W.591, fol. 78a

The present work is a supergloss on the gloss (á¸¥Äshiyah) by al-Sayyid al-SharÄ«f al-JurjÄnÄ« (d.816 AH / 1413 CE) on the LawÄmiÊ¿ al-asrÄr by Qutb al-DÄ«n al-Taá¸¥tÄnÄ« al-RÄzÄ« (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maá¹ÄliÊ¿ al-anwÄr by SirÄj al-DÄ«n Maá¸¥mÅ«d al-UrmawÄ« (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m. The present work is a supergloss on the gloss (á¸¥Äshiyah) by al-Sayyid al-SharÄ«f al-JurjÄnÄ« (d.816 AH / 1413 CE) on the LawÄmiÊ¿ al-asrÄr by Qutb al-DÄ«n al-Taá¸¥tÄnÄ« al-RÄzÄ« (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maá¹ÄliÊ¿ al-anwÄr by SirÄj al-DÄ«n Maá¸¥mÅ«d al-UrmawÄ« (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m...

Prayer timetable

Clock showing the correct time for of namaz. Clock showing the correct time for of namaz

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 1b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This is the right side of a double-page illuminated opening for the first poem KitÄb-i Makhzan-i asrÄr. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This is the right side of a double-page illuminated opening for the first poem KitÄb-i Makhzan-i asrÄr. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

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