Abstract Water Not Free Stock Images

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Empty beach

Towel do not disturb with book and cap at beach near the Adriatic sea - Croatia (Dalmatia). Towel do not disturb with book and cap at beach near the Adriatic sea - Croatia (Dalmatia)

Not paper cup

It means enhancing environmental protection, this is not a true paper cups paper cups. It means enhancing environmental protection, this is not a true paper cups paper cups.

Abstract water, but not...

In northern Norway with lots og harbours i found these woodesn stocks with the fun reflection in the water, Lots of colors and light playing. Suddenly it became en abstract picture with the reflection, but still a maritime picture . In northern Norway with lots og harbours i found these woodesn stocks with the fun reflection in the water, Lots of colors and light playing. Suddenly it became en abstract picture with the reflection, but still a maritime picture .

Detail of a cabbage leaf

Detail of a wet cabbage leaf

Traces 30

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation). French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation)

Fish icon love wallpaper

Vector illustration background Fish icon love wallpaper

High resolution old metal texture_2

Old rusty metal - (earlier excellent strong steel which has not resisted time). Old rusty metal - (earlier excellent strong steel which has not resisted time)

Traces 1

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation) L'album trace. French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation) L'album trace

Water salt

Salt shaker But not for slat for water. Salt shaker But not for slat for water

Hand, holding a tiny spoon

Hand, holding a tiny spoon, from a spoon water drops in a vessel. A vessel is not in a sharpness

Thai man sitting on a tree near the bag.

Thai man relaxing by sitting on the bags, which are not close to the water and clouds in the background. Thai man relaxing by sitting on the bags, which are not close to the water and clouds in the background.

ï¸ eXploration | West Coast {USA} ðŸŒŒ City/Nature

The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album. The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album

Molecules of water

Not a dependent molecule of water in group. Not a dependent molecule of water in group

Traces 36

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation). French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation)

Drops

The nature does not have bad weather. The nature does not have bad weather

Traces 35

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned picture. (Sorry, it's a Â« Reverso Â» translation). French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned picture. (Sorry, it's a Â« Reverso Â» translation)

Christmas lights

Christmas lights (not in focus) through wet window(vertical)

ï¸ eXploration | West Coast {USA} ðŸŒŒ City/Nature

The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album. The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album

Not paper cup

It means enhancing environmental protection, this is not a true paper cups paper cups. It means enhancing environmental protection, this is not a true paper cups paper cups.

Agriculture area

Agriculture area in the central of Thailand but not water

Conflict

Flooded but not barren. A scene of conflicting elements.

Water salt

Salt shaker But not for slat for water. Salt shaker But not for slat for water

The water surface of a forest lake

Lake in the forest, beautiful sunset, female hand, the beauty of nature. Lake in the forest, beautiful sunset, female hand, the beauty of nature

No More Traffic

Old but not forgotten this neglected bridge structure still stands against the elements and seen against this blue sky. Old but not forgotten this neglected bridge structure still stands against the elements and seen against this blue sky

Abstraction

Not created abstractions, curves, lines, patterns here a wooden fence detail of the painting on boats out of water for the winter

Molecules of water

Not a dependent molecule of water in group. Not a dependent molecule of water in group

Not paper cup

It means enhancing environmental protection, this is not a true paper cups paper cups. It means enhancing environmental protection, this is not a true paper cups paper cups.

ï¸ eXploration | West Coast {USA} ðŸŒŒ City/Nature

The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album. The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album

Traces 37

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation). French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« rollerballs Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de superficie. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation)

Traces 55

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« ballpoint Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de surface. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "ballpoint", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation). French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matÃ©riaux, procÃ©dÃ©s : Lignes parallÃ¨les au pinceau (le mÃªme pinceau pour toute la sÃ©rie â€“ je l'ai gardÃ©), la souplesse Ã©tant dans la quantitÃ© d'eau associÃ©e Ã la gouache noire, la vitesse dâ€™exÃ©cution pour une ligne (le pinceau ne dÃ©collait la feuille qu'aprÃ¨s l'avoir traversÃ© de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de sÃ©chage entre deux lignes parallÃ¨les juxtaposÃ©es. J'ai ensuite complÃ©tÃ© ce dispositif en ajoutant des empreintes faÃ§on monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales â€“ comme le portrait est l'expression de la verticalitÃ© (le paysage et la ligne courbe seraient plutÃ´t de l'ordre du fÃ©minin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thÃ¨me des Â« barreaux Â», que j'exploiterai vraiment en 2007 parce qu'il Ã©tait devenu vital que je digÃ¨re ma mise en examen... Barreaux dÃ©jÃ prÃ©sents prÃ©cÃ©demment dans mon travail sur la Â« feuille Â» puis dans mes Â« ballpoint Â», enfin dans mes vidÃ©os. Ces traits parallÃ¨les m'intÃ©ressent d'abord pour leur cotÃ© archaÃ¯que, de la naissance de l'Ã©criture (dÃ©compte de bÅ“ufs) jusqu'aux graffitis sur les murs des prisons pour marquer le dÃ©compte des jours (autant de barreaux barrÃ©s en fin de semaine â€“ c'est un aspect sur lequel je me suis penchÃ© dans la sÃ©rie des Â« marques Â» que j'ai amorcÃ© -comme les Â« barreaux Â»- lors de ma mise en examen en 2006). M'intÃ©resse aussi la multiplicitÃ© des interprÃ©tations possibles et leur rÃ©versibilitÃ© suivant le sens exposÃ©, la forÃªt de bouleaux quand le support est exposÃ© Ã la verticale devient une Â« marine Â» Ã l'horizontale. Ce travail, tout comme les autres, fait la part belle Ã ma grande nÃ©vrose qui consiste Ã vouloir trouver le maximum dans le minimum, mais que je dÃ©finis aussi comme une recherche de profondeur plutÃ´t que de surface. Une derniÃ¨re prÃ©cision : le papier photo donne une brillance argentÃ©e du plus bel effet qui n'est pas visible sur l'image scannÃ©e. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "ballpoint", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a Â« Reverso Â» translation)

Abstraction

Not created abstractions, curves, lines, patterns here a wooden fence detail of the painting on boats out of water for the winter

ï¸ eXploration | West Coast {USA} ðŸŒŒ City/Nature

The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album. The West Coast or Pacific Coast is the coastline along which the contiguous Western United States meets the North Pacific Ocean. As a region, this term most often refers to the coastal states of California, Oregon and Washington. More specifically, it refers to an area defined on the east by the Cascade Range, Sierra Nevada and Mojave Desert, and on the west by the Pacific Ocean. The U.S. Census groups the five states of California, Oregon, Washington, Alaska, and Hawaii together as the Pacific States division. ðŸ‘‘ Senses : ðŸ‘€ Vision ðŸ‘† To Touch ðŸ’ƒ Proprioception ðŸ‘‚ Hearing Equilibrioception ðŸ‘ƒ Smell â™¨ï¸ Thermoception ðŸ‘… Taste âš¡ Intelligences : ï¸ Spatial Intelligence â›¹ï¸ Kinesthetic Body Intelligence ðŸ‘¨â€ðŸ‘©â€ðŸ‘§â€ðŸ‘¦ Interpersonal Intelligence ðŸŒ² Ecologicalist Naturalist Intelligence ï¸ Verbal-linguistic ðŸ” Existential Intelligence ðŸ“‹ WHAT : ï¸ eXploration West Coast {USA} ðŸŒŸ West Coast {USA} ðŸ’« United States of America/America World ðŸŒŒ City/Nature Galaxy âœ¨ eXploration Universe (ï¸) ðŸ“ Type : Ground eXploration ðŸŽ¨ Style : eXploration of the west coast of the united states ðŸ”Š Language : International (ðŸ‡¬ðŸ‡§ description in English, but comprehensible by the whole world) ï¸ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists? âš The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more. ðŸ“ HOW MUCH : ðŸ‘‘ 8 Senses âš¡ 6 Intelligences WHO : ï¸ Picture by LG ðŸ“¡ Posted by LG ðŸ“¼ Video made by LG (Windows Movie Maker 2017) Â© Etoile Copyright âš The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time â“ WHY : To eXplore the west coast of the united states ðŸ“ WHERE : West Coast (ðŸ‡ºðŸ‡¸ United States of America) ðŸ•“ WHEN : June 2011 ðŸ‘‰ Follow us : ðŸ’¥ Facebook : www.facebook.com/EXploration-160662074522859/ ðŸ’¥ Instagram : www.instagram.com/explorationetoile/ ðŸ’¥ Flickr : www.flickr.com/people/explorationetoile/ ðŸ’¥ Dailymotion : www.dailymotion.com/explorationetoile ðŸ’¥ Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ? ðŸ’¥ Tumblr : explorationetoile.tumblr.com/ ðŸ’¥ Pinterest : www.pinterest.fr/eXplorationEtoile/ ðŸ’¥ Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051... ðŸ’¥ Twitter : twitter.com/eXplorationETL ðŸ’Œ Contact : â€¹ PhotoPhotoPhotoPhotoPhotoPhotoPhoto â€º 25/10/2017 163 photos - Afficher l'album

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