4b Free Stock Images

Include:

Airforce One - USAF Boeing E-4B - Doomsday Plane 50125 - National Emergency Airborne Command Post - Presidential Plane

US Air Force Northrop Grumman RQ-4B Global Hawk unmanned surveillance aircraft.

Galati, ROMANIA - February 09, 2021: Close-up of Raspberry Pi Pico, Raspberry Pi 4b and Raspberry Pi Zero W on a laptop keyboard

HKP 4B Boeing-Vertol KV-107 helicopter in Linkoping Air Force Museum

Black Pencils with white background

North American FJ-4B Fury warbird

Cardinal 4b

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Thick pencil with eraser. Set of different size pencils. Vector illustration in realistic style. 4B and 8B diferent type

Raspberry Pi Microcomputer 4B with a black heatsink for Electrical Engineering prototyping

USMC McDonnell RF-4B BuNo 157345 CN 3735

USMC McDonnell RF-4B BuNo 157348 CN 3870 . Taken on March 27 , 1982

Design Elements p. 4b

Set icons - 4B. Arrows

Set icons - 4B. Arrows. Set of 13 vector icons for web

Galati, ROMANIA - February 09, 2021: Close-up of Raspberry Pi Pico, Raspberry Pi 4b and Raspberry Pi Zero W on a laptop keyboard

NGC 1333-IRAS 4B

NGC 1333-IRAS 4B in the star-forming region of the constellation Perseus as seen by the Nasa's Spitzer Space Telescope .

Laptop 4b

Anti-aircraft car searchlight station type 3-15-4B on the basis of the car ZIS-12 on Poklonnaya hill in Moscow

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 4b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. The Prophet Muhammad is depicted ascending on Buraq led by the angel Gabriel. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. The Prophet Muhammad is depicted ascending on Buraq led by the angel Gabriel. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

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