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Five poems (quintet), Battle between the Ottoman and Hungarian armies, Walters Manuscript W.666, fol. 27a

This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Benedictine Abbey

Benedictine Abbey in Tyniec near Cracow in Poland (Krakow). Monastery has been built on rocks above Vistula river in 1044. Monastry mirrors in a river and the tree hangs above the building.

Five poems (quintet), Ottoman Turks fighting the Polish army, Walters Manuscript W.666, fol. 6a

This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

White pagoda

Liao dynasty's pagoda locating in Shenyang city China built up in 1044. Liao dynasty's pagoda locating in Shenyang city China built up in 1044

Five poems (quintet), View of the Bosphorus Strait, Walters Manuscript W.666, fol. 10a

This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the á¸ªamse (quintet) of the Ottoman Turkish poet and scholar Ê¿Aá¹ÄÊ¾ullÄh bin Yaá¸¥yÃ¡ Ê¿Aá¹ÄÊ¾Ä« (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niáº“ÄmÄ« GanjavÄ« (d. 605 AH / 1209 CE) and the Khamsah of AmÄ«r Khusraw DihlavÄ« (d. 725 AH / 1325 CE). This Ottoman copy of Ê¿Aá¹ÄÊ¾Ä«'s work ends with a portion of his DÄ«vÄn (fols. 142b-151b) instead of the fifth poem (mesnevi), á¸¤ilyet Ã¼l-efkÄr. The text, written in nastaÊ¿lÄ«q script, was copied by á¸ªeyrullah á¸ªeyrÄ« Ã‡ÄvuÅŸzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

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