Hours Free Stock Images

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Hours and spheres

Composition from a sphere, bells and old hours. Composition from a sphere, bells and old hours

Hours per a kind of eye Egyptian

Vector symbol in the form of Egyptian hieroglyphics from the pupil of stylized hours. Vector symbol in the form of Egyptian hieroglyphics from the pupil of stylized hours

Ringing twin bell vintage classic alarm clock Isolated on blue pastel colorful trendy background. Rest hours time of life good

Ringing twin bell vintage classic alarm clock Isolated on blue pastel colorful trendy background. Rest hours time of life good morning night wake up awake concept. Flat lay top view copy space

Illuminated Manuscript, Book of Hours, The Arrest of Christ, Walters Art Museum Ms. W.165, fol. 13v

This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The illumination begins the short hours of the cross. This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The illumination begins the short hours of the cross.

Illuminated Manuscript, Cologne Psalter-Hours, Binding, Walters Manuscript W.41, Lower board outside

This Psalter-Hours was made for a Franciscan community in Cologne, Germany, in the late thirteenth century. It is especially notable for its large program of illuminations, which includes roundels in the calendar depicting the labors of the month, two full-page miniatures, fourteen historiated initials, and grotesques perched upon the top of bar borders throughout. It is identical in style to Baltimore, Walters Ms. W.111, and both are related to the style of LiÃ¨ge manuscripts of the 1280s-90s. They are also considered to be stylistic precursors of works by Johannes von Valkenburg, such as two graduals he created for Franciscans in Cologne in 1299 (Cologne, DiÃ¶zesan Bibliothek Ms. 1B and Bonn, UniversitÃ¤tsbibliothek Ms. 384). All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at thedigitalwalters.org/Data/WaltersManuscripts/html/W41 For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at art.thewalters.org/detail/13885/cologne-psalter-hours. This Psalter-Hours was made for a Franciscan community in Cologne, Germany, in the late thirteenth century. It is especially notable for its large program of illuminations, which includes roundels in the calendar depicting the labors of the month, two full-page miniatures, fourteen historiated initials, and grotesques perched upon the top of bar borders throughout. It is identical in style to Baltimore, Walters Ms. W.111, and both are related to the style of LiÃ¨ge manuscripts of the 1280s-90s. They are also considered to be stylistic precursors of works by Johannes von Valkenburg, such as two graduals he created for Franciscans in Cologne in 1299 (Cologne, DiÃ¶zesan Bibliothek Ms. 1B and Bonn, UniversitÃ¤tsbibliothek Ms. 384). All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at thedigitalwalters.org/Data/WaltersManuscripts/html/W41 For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at art.thewalters.org/detail/13885/cologne-psalter-hours

Desktop hours - a motorcycle

Desktop hours - a motorcycle on a white backgtound

The mechanism of hours

Old hours continue the course more than hundred years. Old hours continue the course more than hundred years

Golden autumn leaves under defoliated branch

Golden autumn leaves, leafless branches, isolated raindrops. A picture of calm, farewell, and quiet hours in the forest and nature. Golden autumn leaves, leafless branches, isolated raindrops. A picture of calm, farewell, and quiet hours in the forest and nature

Arrows of 3d hours sticked by an adhesive tape

Arrows of 3d hours sticked by an adhesive tape

The mechanism of hours

The mechanism of hours which don't work from a battery (a part of hours)

Tower with hours, Kazan Kremlin

White, stone tower with hours, Kazan Kremlin

Hours on a facade of theatre. Russia. Perm.

Hours on a facade of theatre of the young spectator. Russia. Perm. Hours on a facade of theatre of the young spectator. Russia. Perm.

Illuminated Manuscript, Book of Hours, Crucifixion, Walters Art Museum Ms. W.165, fol. 23v

This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The Illumination begins the short hours of the cross: None. This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The Illumination begins the short hours of the cross: None.

The mechanism of hours

Old hours continue the course more than hundred years. Old hours continue the course more than hundred years

Illuminated Manuscript, Book of Hours, Decorated Initial, Walters Art Museum Ms. W.165, fol. 27r

This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. Short hours of the cross: Vespers. This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. Short hours of the cross: Vespers.

Open 24 hours

A neon sign with the text "Open 24 hours".

View of New York Manhattan during sunset hours

The view of new york manhattan during sunset hours

Hours in abstract background

2d illustration of hours in color background. 2d illustration of hours in color background

The mechanism of hours

Old hours continue the course more than hundred years. Old hours continue the course more than hundred years

Titanic hours a chronometre

Titanic hours a chronometre with a bracelet in a

Hours and handbells

Arrangement from an orange in the form of hours and handbells

Background ancient hours

Background ancient antiquarian hours with a pendulum in a vector. Background ancient antiquarian hours with a pendulum in a vector

Desktop hours, orchid and two starfishes

Desktop green stone hours are isolated on a red background. Desktop green stone hours are isolated on a red background

Three hours and five minutes

Three hours and five minutes of time in Jerusalem

The mechanism of hours

Old hours continue the course more than hundred years. Old hours continue the course more than hundred years

Background from hours from euro

Background from numerous dials of hours with figures and arrows against from euro. Background from numerous dials of hours with figures and arrows against from euro

View of New York Manhattan during sunset hours

The view of new york manhattan during sunset hours

Hours on the Spassky tower

Hours on the Spassky tower of Moscow Kremlin, Russia.

Christmas ball with hours

Red fur-tree sphere with hours per a tinsel. Red fur-tree sphere with hours per a tinsel

Pocket hours and sea shellfish

Pocket hours and sea shellfish on a background of the ancient manuscript

Parking hours with paper

Parking hours with paper money and euro coins

Orange hours

Orange hours show, that it is time to drink orange juice

Guy under hours

The guy in a cowboy's hat sit under hours. The participant of group StockDog. The guy in a cowboy's hat sit under hours. The participant of group StockDog

Vibrant sunshine with orange red sky during twilight hours with christmas tree

Vibrant sunlight with orange red sky during twilight hours of morning sunrise and evening sunset with trees and flora forming silhouette and orange lens flares visible. Vibrant sunlight with orange red sky during twilight hours of morning sunrise and evening sunset with trees and flora forming silhouette and orange lens flares visible

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