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Businesswoman with a folder

Business woman with a green folder. Folder covers the face. Business woman with a green folder. Folder covers the face

Pile of tatty old blue books

A pile of tatty, grungy old books with yellowing pages and worn blue covers. A pile of tatty, grungy old books with yellowing pages and worn blue covers.

Book

Books on a white background

Book

Books on a white background

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Books on a white background

Illuminated Manuscript Koran, Walters Art Museum ms. W.567, fol.1b

A small size illuminated copy of the Koran (QurÊ¾an), complete in one volume. It was executed in Iran by an anonymous scribe probably in 1230 AH / 1814-5 CE and is enclosed in lacquer covers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30819. A small size illuminated copy of the Koran (QurÊ¾an), complete in one volume. It was executed in Iran by an anonymous scribe probably in 1230 AH / 1814-5 CE and is enclosed in lacquer covers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30819

Book2

Glasses on the book close-up. Glasses on the book close-up

Old books on a table

Old books with brown leather covers on a wooden surface. Old books with brown leather covers on a wooden surface

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 29b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. At a court gathering an old woman speaks with a confidant of King JamshÄ«d. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. At a court gathering an old woman speaks with a confidant of King JamshÄ«d. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Shelves with books and journals

Shelves with colorful book, journals, calendars and other stationery items. Shelves with colorful book, journals, calendars and other stationery items.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 160a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the blue pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the blue pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Pile of tatty old blue books

A pile of tatty, grungy old books with yellowing pages and worn blue covers. A pile of tatty, grungy old books with yellowing pages and worn blue covers.

Books and pen

Stack of old books with black covers and a pen isolated on white. Stack of old books with black covers and a pen isolated on white

Vector illustration of bookshelf.

Vector illustration of bookshelf on brick wall. Template banner reading books and education. Collection of elements for design. Background for web pages, invitation cards, covers, posters. Vector illustration of bookshelf on brick wall. Template banner reading books and education. Collection of elements for design. Background for web pages, invitation cards, covers, posters.

Pile of books

Pile of books: three big books with color covers

Illuminated Manuscript Koran, The left side of a double-page illuminated frontispiece, Walters Art Museum Ms. W.569, fol. 2a

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqÄ«Ê¿. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqÄ«Ê¿

Organizer covers vertical

Stack of plush organizers isolated on white. Stack of plush organizers isolated on white

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 93a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Khusraw and ShÄ«rÄ«n in the palace. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Khusraw and ShÄ«rÄ«n in the palace. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Notebook covers

Illustration templates for school notebook. Illustration templates for school notebook

Books

Three reversed books with black covers

Big stack of books, vector

Big stack of books with multicolored covers, vector. Big stack of books with multicolored covers, vector

Stack of four plain books for design layout

Plain books with hard covers. Plain books with hard covers

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 193b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Iskandar fighting the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Iskandar fighting the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Book

Books on a white background

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 154a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the yellow pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the yellow pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Book

Books on a white background

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 168a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the white pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the white pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Organizer covers

Stack of plush organizers isolated on white. Stack of plush organizers isolated on white

Futuristic background

Futuristic design for book covers or others backgrounds. Futuristic design for book covers or others backgrounds

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 33b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This illuminated incipit page introduces the story of Khusraw va ShÄ«rÄ«n. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. This illuminated incipit page introduces the story of Khusraw va ShÄ«rÄ«n. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 15a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Riding through a ruined village, the Sasanian NÅ«shirvÄn and his Prime Minster DastÅ«r see two owls talking. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Riding through a ruined village, the Sasanian NÅ«shirvÄn and his Prime Minster DastÅ«r see two owls talking. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Illuminated Manuscript Koran, The right side of a double-page opening inscribed with verses of the first chapter (SÅ«rat al-

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. The right side of a double-page opening decoration containing the text of the first chapter (SÅ«rat al-fÄtiá¸¥ah) inscribed in the center medallion in gold muá¸¥aqqaq script on a blue background. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. The right side of a double-page opening decoration containing the text of the first chapter (SÅ«rat al-fÄtiá¸¥ah) inscribed in the center medallion in gold muá¸¥aqqaq script on a blue background.

Illuminated Manuscript Koran, Walters Art Museum Ms. W.569, fol. 331b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muá¸¥aqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muá¸¥aqqaq script.

Organizer covers angle

Stack of plush organizers angle isolated on white. Stack of plush organizers angle isolated on white

Illuminated Manuscript Koran, Decorated incipit page with a headpiece introducing chapter 18, SÅ«rat al-kahf, Walters Art Museum

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, SÅ«rat al-kahf. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, SÅ«rat al-kahf.

Organizer covers 2

Stack of organizer books isolated on white. Stack of organizer books isolated on white

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 4b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. The Prophet Muhammad is depicted ascending on Buraq led by the angel Gabriel. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. The Prophet Muhammad is depicted ascending on Buraq led by the angel Gabriel. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 145b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the black pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. BahrÄm GÅ«r in the black pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 68a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Khusraw and ShÄ«rÄ«n sit enthroned. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Khusraw and ShÄ«rÄ«n sit enthroned. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 258b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Iskandar in search of the fountain of life passes by a cave, before which sit the prophets Khiá¸r and IlyÄs. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niáº“ÄmÄ« GanjavÄ« (d.605 AH / 1209 CE). It does not include LaylÃ¡ va MajnÅ«n. The text was copied by a certain YÄdkÄr the Calligrapher (al-KÄtib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscriptâ€™s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting BahrÄm GÅ«r hunting and Khusraw watching ShÄ«rÄ«n bathing. Iskandar in search of the fountain of life passes by a cave, before which sit the prophets Khiá¸r and IlyÄs. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Leather

A set of covers from a leather, a notebook, the passport, the driver's license

Book stack

An illustration of a very high stack of books seen from below. An illustration of a very high stack of books seen from below.

Illuminated Manuscript Koran, Illuminated page with the verses from the end of chapter 17 ( SÅ«rat BanÄ« IsrÄÊ¾Ä«l), Wa

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. Beautifully illuminated page with verses from the end of chapter 17 ( SÅ«rat BanÄ« IsrÄÊ¾Ä«l) inscribed in the centerpiece in white muá¸¥aqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muá¸¥aqqaq and tawqÄ«Ê¿, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (Äyat al-kursÄ«), which is inscribed in the outer frame. Beautifully illuminated page with verses from the end of chapter 17 ( SÅ«rat BanÄ« IsrÄÊ¾Ä«l) inscribed in the centerpiece in white muá¸¥aqqaq script.

Books

Closed books with colored covers isolated on white

Stack of colorful books

Arrangement of colorful books with blank covers on white background, PHOTOGRAPH, NOT 3D RENDER. Arrangement of colorful books with blank covers on white background, PHOTOGRAPH, NOT 3D RENDER.

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