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Laberinto

Have fun finding the exit of this maze! __ As all the pictures in my gallery, this is a FREE picture. You can download it and do whatever you want with it: share it, adapt it and/or combine it with other material and distribute the resulting works. Iâ€™d very much appreciate if you give photo credits to â€œCarlos ZGZâ€ when you use this picture. This would help me find it and add it to my photoset â€œUsed elsewhereâ€. __ Como todas las imÃ¡genes de mi galerÃa, esta es una imagen LIBRE. Puedes descargarla y hacer lo que quieras con ella: compartirla tal cual, modificarla y/o combinarla con otro material y distribuir el resultado. Por favor, si utilizas esta imagen, dale el crÃ©dito a â€œCarlos ZGZâ€. De esta manera podrÃ© encontrarla fÃ¡cilmente y aÃ±adirla a mi Ã¡lbum â€œUsed elsewhereâ€. __ This picture has been used for this puzzle: www.allstarpuzzles.com/picture/04769E.html. Have fun finding the exit of this maze! __ As all the pictures in my gallery, this is a FREE picture. You can download it and do whatever you want with it: share it, adapt it and/or combine it with other material and distribute the resulting works. Iâ€™d very much appreciate if you give photo credits to â€œCarlos ZGZâ€ when you use this picture. This would help me find it and add it to my photoset â€œUsed elsewhereâ€. __ Como todas las imÃ¡genes de mi galerÃa, esta es una imagen LIBRE. Puedes descargarla y hacer lo que quieras con ella: compartirla tal cual, modificarla y/o combinarla con otro material y distribuir el resultado. Por favor, si utilizas esta imagen, dale el crÃ©dito a â€œCarlos ZGZâ€. De esta manera podrÃ© encontrarla fÃ¡cilmente y aÃ±adirla a mi Ã¡lbum â€œUsed elsewhereâ€. __ This picture has been used for this puzzle: www.allstarpuzzles.com/picture/04769E.html

Opticalillusion line blackground

Grouping of squares forming a vector visual illusion in a seamless repeat pattern illustration background. Grouping of squares forming a vector visual illusion in a seamless repeat pattern illustration background.

Four color theorem

The idea of this picture came to me while playing around with the "four color theorem". This theorem states that, given any separation of a plane into contiguous regions, producing a figure called a map, no more than four colors are required to color the regions of the map so that no two adjacent regions have the same color. Well, in this case only two colours are needed: black and white. And I love the result! __ As all the pictures in my gallery, this is a FREE picture. You can download it and do whatever you want with it: share it, adapt it and/or combine it with other material and distribute the resulting works. Iâ€™d very much appreciate if you give photo credits to â€œCarlos ZGZâ€ when you use this picture. This would help me find it and add it to my photoset â€œUsed elsewhereâ€. __ Como todas las imÃ¡genes de mi galerÃa, esta es una imagen LIBRE. Puedes descargarla y hacer lo que quieras con ella: compartirla tal cual, modificarla y/o combinarla con otro material y distribuir el resultado. Por favor, si utilizas esta imagen, dale el crÃ©dito a â€œCarlos ZGZâ€. De esta manera podrÃ© encontrarla fÃ¡cilmente y aÃ±adirla a mi Ã¡lbum â€œUsed elsewhereâ€.

Current -- In Explore 14 Nov 2015

Current (1964) by Bridget Riley is a work at the Museum of Modern Art in NYC. Done in synthetic polymer paint on composition board, the curation card notes: Current's undulating black-and-white lines appear to vibrate and form three-dimensional depressions that quiver on the painting's surface. The juxtaposition of black and white activates the painting with the semblance of movement and the appearance of other colors. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. View it large and move it around -- a truly extraordnary experience. en.wikipedia.org/wiki/Bridget_Riley Please use the following to link back to the photo if you choose to use it: goo.gl/6KFMXo . Thanks!. Current (1964) by Bridget Riley is a work at the Museum of Modern Art in NYC. Done in synthetic polymer paint on composition board, the curation card notes: Current's undulating black-and-white lines appear to vibrate and form three-dimensional depressions that quiver on the painting's surface. The juxtaposition of black and white activates the painting with the semblance of movement and the appearance of other colors. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. View it large and move it around -- a truly extraordnary experience. en.wikipedia.org/wiki/Bridget_Riley Please use the following to link back to the photo if you choose to use it: goo.gl/6KFMXo . Thanks!

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