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Lightblue liquid buttons with and without a shadow. Useful for rollover-effects

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 32a

This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents two goats in combat (facing off). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents two goats in combat (facing off). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 16b

This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The illumination depicts a woman holding a vase of flowers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The illumination depicts a woman holding a vase of flowers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Yellow liquid buttons

Yellow liquid buttons with and without a shadow

Illuminated Manuscript, Map of two as yet unidentified islands in the vicinity of Pag Island (Croatia) from Book on Nav

Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Collection of poems (masnavi), Walters Art Museum Ms. W.625, fol. 1a

Medallion filled with gilt. Leaf from an elegantly calligraphed and illuminated copy of the collection of poems, known as MasÌ±navÄ«-i maÊ¿navÄ«, by JalÄl al-DÄ«n RÅ«mÄ« (d.672 AH / 1273 CE). This codex was penned by Aá¸¥mad ibn á¸¤ÄjjÄ« AbÄ« Bakr al-KÄtib in 865 AH / 1461 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22125. Medallion filled with gilt. Leaf from an elegantly calligraphed and illuminated copy of the collection of poems, known as MasÌ±navÄ«-i maÊ¿navÄ«, by JalÄl al-DÄ«n RÅ«mÄ« (d.672 AH / 1273 CE). This codex was penned by Aá¸¥mad ibn á¸¤ÄjjÄ« AbÄ« Bakr al-KÄtib in 865 AH / 1461 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22125

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 19b

This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio illustrates a young man standing with a pomegranate in his right hand. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio illustrates a young man standing with a pomegranate in his right hand. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Illuminated Manuscript, Poem (masnavi), Walters Art Museum Ms. W.642, fol. 1a

This is a copy of the well-known poem (masÌ±navÄ«) Subá¸¥at al-abrÄr ('The Rosary of the Righteous') by NÅ«r al-DÄ«n Ê¿Abd al-Raá¸¥mÄn ibn Aá¸¥mad JÄmÄ« (d. 898 AH / 1492 CE). Penned in nastaÊ¿lÄ«q script by á¸¤aydar al-á¸¤usaynÄ« in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The right side of an illuminated double-page incipit with the top panel inscribed with the title of the poem in white tawqÄ«Ê¿/riqÄÊ¿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402. This is a copy of the well-known poem (masÌ±navÄ«) Subá¸¥at al-abrÄr ('The Rosary of the Righteous') by NÅ«r al-DÄ«n Ê¿Abd al-Raá¸¥mÄn ibn Aá¸¥mad JÄmÄ« (d. 898 AH / 1492 CE). Penned in nastaÊ¿lÄ«q script by á¸¤aydar al-á¸¤usaynÄ« in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The right side of an illuminated double-page incipit with the top panel inscribed with the title of the poem in white tawqÄ«Ê¿/riqÄÊ¿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 8b

This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio represents a seated man. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio represents a seated man. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Illuminated Manuscript, Poem (masnavi), Walters Art Museum Ms. W.642, fol. 2a

This is a copy of the well-known poem (masÌ±navÄ«) Subá¸¥at al-abrÄr ('The Rosary of the Righteous') by NÅ«r al-DÄ«n Ê¿Abd al-Raá¸¥mÄn ibn Aá¸¥mad JÄmÄ« (d. 898 AH / 1492 CE). Penned in nastaÊ¿lÄ«q script by á¸¤aydar al-á¸¤usaynÄ« in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The left side of an illuminated double-page incipit with the top panel inscribed with the author's name in white tawqÄ«Ê¿/riqÄÊ¿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402. This is a copy of the well-known poem (masÌ±navÄ«) Subá¸¥at al-abrÄr ('The Rosary of the Righteous') by NÅ«r al-DÄ«n Ê¿Abd al-Raá¸¥mÄn ibn Aá¸¥mad JÄmÄ« (d. 898 AH / 1492 CE). Penned in nastaÊ¿lÄ«q script by á¸¤aydar al-á¸¤usaynÄ« in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The left side of an illuminated double-page incipit with the top panel inscribed with the author's name in white tawqÄ«Ê¿/riqÄÊ¿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402

Illuminated Manuscript, Map of the Libyan coast from Tripoli (á¹¬arÄbulus-i Maghrib)east towards Egypt from Book on Nav

Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Black, Brown, and Gray Bmw Car Interior View

Black, Brown, and Gray Bmw Car Interior View

Spheres

The spheres worth in ascending order, glass, grey, black

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